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	<title>Culture Blues &#187; raditude</title>
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		<title>Music:  &#8220;Raditude&#8221; &#8211; Weezer</title>
		<link>http://www.cultureblues.com/2009/11/music-weezer/</link>
		<comments>http://www.cultureblues.com/2009/11/music-weezer/#comments</comments>
		<pubDate>Tue, 10 Nov 2009 01:39:57 +0000</pubDate>
		<dc:creator>Giovanny Caquias</dc:creator>
				<category><![CDATA[Reviews: Music]]></category>
		<category><![CDATA[raditude]]></category>
		<category><![CDATA[rivers cuomo]]></category>
		<category><![CDATA[trainspotting]]></category>
		<category><![CDATA[universal theory of artistic entropy]]></category>
		<category><![CDATA[weezer]]></category>
		<category><![CDATA[worst record of the year]]></category>

		<guid isPermaLink="false">http://www.cultureblues.com/?p=1072</guid>
		<description><![CDATA[I get it; Rivers Cuomo is going through a mid-life crisis. ]]></description>
			<content:encoded><![CDATA[<p>Everyone knows the age-old adage "don't judge book by its cover". Well, there is a similar axiom for listening to albums; "don't judge a record by its opening track". That pithy general truth is embodied by <strong>Weezer's</strong> newest release, <em>Raditude</em>, a record so bad it is almost embarrassing to listen to. Whatever artistic currency Rivers Cuomo earned with his band's first three releases (it has been evaporating rather quickly this century) is completely squandered with what may very well be the worst record of the year. I have read in various media outlets that this is supposed to be Weezer's "party album", which I suspect is just an attempt to make excuses for the lackluster, brainless mediocrity of the homeboy anthems, and pubescent love songs that comprise this offering. This fucking record will end any and all parties it is played in, or perhaps even mentioned at.</p>
<p>I get it; Rivers Cuomo is going through a mid-life crisis. It must be hard to handle the Universal Theory of Artistic Entropy that was so eloquently explained in <em>Trainspotting</em>:</p>
<blockquote><p>
<strong>Sick Boy</strong>: It's certainly a phenomenon in all walks of life.</p>
<p><strong>Mark</strong>: What do you mean?</p>
<p><strong>Sick Boy</strong>: Well, at one time, you've got it, and then you lose it, and it's gone forever. All walks of life: George Best, for example. Had it, lost it. Or David Bowie, or Lou Reed.</p>
<p><strong>Mark</strong>: Lou Reed, some of his solo stuff's not bad.</p>
<p><strong>Sick Boy</strong>: No, it's not bad, but it's not great either. And in your heart you kind of know that although it sounds all right, it's actually just shite.</p>
<p><strong>Mark</strong>: So who else?</p>
<p><strong>Sick Boy</strong>: Charlie Nicholas, David Niven, Malcolm McLaren, Elvis Presley . . .</p>
<p><strong>Mark</strong>: OK, OK, so what's the point you're trying to make?</p>
<p><strong>Sick Boy</strong>: All I'm trying to do, Mark, is help you understand that The Name of The Rose is merely a blip on an otherwise uninterrupted downward trajectory.</p>
<p><strong>Mark</strong>: What about The Untouchables?</p>
<p><strong>Sick Boy</strong>: I don't rate that at all.</p>
<p><strong>Mark</strong>: Despite the Academy Award?</p>
<p><strong>Sick Boy</strong>: That means fuck all. It's a sympathy vote.</p>
<p><strong>Mark</strong>: Right. So we all get old and then we can't hack it anymore. Is that it?</p>
<p><strong>Sick Boy</strong>: Yeah.</p>
<p><strong>Mark</strong>: That's your theory?</p>
<p><strong>Sick Boy</strong>: Yeah. Beautifully fucking illustrated.</p></blockquote>
<p>Cuomo lost it. (That's right; this record is so bad most of my review is a Trainspotting quote).</p>
<p>There are two highlights. The first track (If you’re wondering if I want you to) I want you to (<strong>Editors note</strong>- we know it's convoluted, but that whole thing is the name of the song), is a decent enough tune, though the chorus is practically unforgivable. The only truly listenable tune is Put Me Back Together, a track whose merits seem almost out of place on this record.</p>
<p>The low lights are innumerable: The uninspired and completely contrived, sitar-drenched, Love is the Answer (George Harrison spits on this track from Heaven), the <strong><span style="text-decoration: underline;">hopefully ironic</span></strong> Can't Stop Partying (not even Lil' Wayne can save it), and In The Mall stands out as one of the worst things to happen to music ever (I have read it was penned or at least inspired by Rainn Wilson... He needs to stick to acting).</p>
<p>Please don't buy this record. It won't be worth having to explain yourself to your friends later.</p>
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